Nerdology 101: The Fate of Angels and Demons

Hey there, Booksluts. Thanks for dropping by! For those who are new here, this is Nerdology 101, my blog. Here, I discuss all the nerdy happenings. My name is Maria Levato. I’m an indie author, anime-lover, self-certified kinklord, mythology obsessor, and more. This week, I wanted to talk a bit about my upcoming release, The Fate of Angels and Demons.

This post is spoiler free!

The Fate of Angels and Demons is a 94,000 word (388 page) romantasy featuring [the spicier] elements of a dark romance. The book comes out on April 1st, 2026.

Here’s the official blurb:

Lilly, a priestess sent to prevent a prophecy that foretold the death of her brother (angel), the heir to Oceanica's throne, from unfolding falls in love with the demon king that is said to be her brother’s killer—and goes even more insane than he is.
Michael, the demon king of Tendu, has long resented the royal family of Oceanica due to the part they played in his father’s downfall—little does he know, his obsession with this priestess might lead to his own.

The book will be available in 3 formats. Paperback and ebook, available at most major retail stores through the Ingram catalog, and a special edition hardcover that will only be available via direct purchase. Retail stores and libraries may purchase it via the direct wholesale ordering form at a discount if they are ordering 20+ copies, and it will be available for individual purchases on this website at launch.

The special edition will include the following:

1. Sprayed edges,

2. 2 pieces of character art, 1 NSFW and 1 SFW,

3. A ribbon page marker,

4. Head and Tail bands,

5. Bonus content.

For readers who just can’t wait to get their hands on a copy, though, I am currently accepting applications for e-ARCs. E-ARCs, for those who may not be aware, are advanced reader copies, a number of distributed copies of a book sent to readers prior to release in the hopes that they might review the book and help build buzz. My ARCs are distributed through BookFunnel as a PDF. The minimum requirements are that the reader must be at least 18 years old (in the U.S., if outside of the U.S., whatever the age of majority is in your country), I must also be able to confirm that you’re human (no bots), and finally, the reader must agree not to re-sell, share, or distribute their ARC. To apply for an ARC, fill out THIS form.

Now, time for the fun part!

What is the spice level in The Fate of Angels and Demons?

This book is on fire. It features 7-ish sex scenes, all of which include some form of kink. The love interests develop a switch dynamic (For the vanilla folk: Sometimes he’s dominant; sometimes she is. It’s about a 50/50 split). My favorite spicy scene is the one that got made into the NSFW piece of character art for the special edition. It’s based on a scene in chapter 5. Needless to say, this book is INTENDED FOR AN ADULT AUDIENCE. Even among adults, its content may be triggering to some readers. I do strongly advise that readers review the trigger list thoroughly prior to starting the books (provided on the ARC sign up form, in the front of the book, and in numerous other locations).

What inspired me to write The Fate of Angels and Demons?

Well, to start, Lilly’s character has been around in my writing for a while. If you’re new to my writing, I write The Islands of Rune universe so it can be read as a series or as standalones. The books are connected, but you don’t have to read them all in order to understand the latest release. In part, I do this because my craft tends to improve drastically from one book to the next (as with anything, even if you’re good, there’s always still room for improvement). I always want new readers to be able to start off reading my best work. So, I actually encourage people to always start with what’s newest.

As for this book specifically, Lilly was always intended to get her own book. I knew it from the moment I introduced her. Her character development, some of the things she’s been through, thinks, and feels, are all deeply personal to me in one way or another. In my writing, I tend to use the enthralling fantasy plots and intense romances to make palpable the more serious topics I address (as do most authors, at least the ones I read). Underneath the fun of the story is a lot of important commentary regarding what life after trauma actually looks like and why its okay if you never go back to “normal” (gag, I hate that stupid word), along with other topics surrounding racism, bigotry, forced labor, poverty, and more. This book came out of me when it did for a reason. With the state of the world being what it is, art and literature are more important than ever. It’s no secret that reading helps people develop a stronger sense of empathy and increases literacy, so I write to make sure people can accomplish those goals in a fun and accessible way. Lilly is the perfect character to help me accomplish that because she has such a unique perspective that allows for both a brutal rage and a kind heart.

Also, though, I love priestess characters.

What sorts of things are you doing to help boost yourself coming up to the release?

So, so many things. Of course, there’s the social media aspect. I hired a PA to help me with content creation. Her name is Jazmine (@jazzys_books & @apenandapromise on IG). She’s been great. Having her helping me out has done wonders in terms of freeing me up so I can A) focus on writing other books, B) focus on contacting bookstores (both previously partnered and new to me), libraries, planning events, and contacting book bloggers/influencers to seek partnerships, and C) managing and distributing ARCs, running ads, and connecting with readers directly. With all of that going on, I’m sure you can see how sparing myself that 3ish hours/week on making posts is actually so helpful (plus I literally suck at coming up with stuff to post. I’m still at that stage in being an author where I freeze up any time I’m asked what my book is about or am expected to speak out loud.) (If you happen to be a more popular author reading my blog, please let me know if and when that will go away? LMAO.)

Anyway, as things happen, you can hear all about them on any of my socials. Here’s my Instagram, my Bluesky, my Threads, and on the home page of this website, you’ll also find a form to sign up for my email list (I won’t spam, I promise).

That’s all for this week! I hope you’ll drop in again next week for another segment of Nerdology 101. Until then, have a nerdy week!

Nerdology 101: Self vs. Trad Publishing

Hi! Welcome back to Nerdology 101. I’m Maria Levato, your nerdy sensei who writes about kink play—and a bunch of other random stuff no one asked about.

Lately, I’ve been seeing a lot of discourse around the merits of self vs. trad publishing, so I’m using this week’s post to address that. Let me give you a hint: Both options are perfectly valid.

There are few industries where we judge the legitimacy of a business by who makes the initial investment. I have never heard someone say “Oh, this store is worse than a different store because the owner paid for it themselves instead of getting investors.” Why haven’t I heard that before? Because it would be insane and most people wouldn’t say it. So, why do we do it when it comes to books? Let’s dive into some Nerdology and find out!

Before the Printing Press

Long ago, there was a world without the printing press. A medieval time where books were—Checks notes, then gasps—made by hand!? Oh, the horror. As you may have guessed, they took a lot of time and money to make. The majority of them were made and collected by religious entities and universities. “Getting published”, as we know it today, didn’t really exist. What did exist, though, is the concept of patronage. Wealthy people, like nobles and royals, would find artists and writers they liked and bankroll them. Eventually, after creating some work, some of the artists and writers would start to get commissions from other wealthy people who wanted a work made by that artist or writer. Publishing houses are the post-printing press version of this, so you can call writers who became published this way early trad authors. On the other hand, you could call writers with the wealth to pay to have their writing produced themselves, early self-published authors.

Good Ol’ Gutenberg and the Printing Revolution

In 1454, we see Gutenberg’s printing press get put to commercial use for the first time where he prints a slew of stuff off for the church. Then, suddenly books (or at least those the church approves of) are more widely available. It’s magic. A ton of people were interested in this because it was a quick and easy way to replicate their ideas and distribute them to a wide audience. It was a Printing Revolution, literally, that’s what it was called. It was part of the Renaissance. You can learn a lot about it by viewing this page from Printing R-Evolution that explores it in depth. For our purposes, though, I’m just illustrating how this became the publishing industry. You see, whoever had a printing press could print and distribute anything. So, having one became a powerful way to distribute materials that would make people more likely to agree with your preferred idealogy. That’s a lot of power. It platformed people like Galileo, who was a radical thinker for his time. It also gave us texts that sparked social movements like the rise of Prostestantism, such as bibles written in languages that aren’t Latin, which were considered heresy at the time. Eventually, people realized that printing and distributing books could be lucrative. Enter: The Publishing Industry, entities who printed and distributed books on behalf of the writer.

Literary Agents

Three to four centuries and a lot of books later, literary agents come onto the scene between 1870 and 1930, depending on location. Their job was simple. Connect writers with publishing houses. This is really the start of traditional publishing as we know it today. From there, traditional publishing became more of a standardized process. Query agents (via snail mail, at the time), get an agent, have that agent submit the work to publishers, get published.

The Internet

With the internet came a revitalization of self-publishing. In 2005, Blurb, an online self-publishing platform was founded. In 2009, Amazon started Amazon Publishing. In 2013, IngramSpark came onto the scene. As with anything, some people got mad about it. They started bashing people who took that path because it went against their expectations of what becoming an author should look like. That’s where it started to get stigmatized.

Social Media

With the rise of Booktok/Bookstagram/Booktube/etc. came change. Self-published authors started to gain stronger platforms and their path became less stigmatized. This led us to the debate I’m seeing today about whether self or trad publishing is better. As I said at the start of this blog post, it doesn’t matter. The difference lies in who bears the initial investment, not the quality of the production itself. I’ve read plenty of trad books that I love and plenty that I dislike. The same applies to self-published books. Trad published books sometimes have editing issues, so do self-published books sometimes. Both formats have different pros and cons. Ultimately, the choice on which format is better depends on the writer and the piece they’re publishing. No matter what a writer chooses, they choose it because it is the best route for them and their work. Some writers choose one path at first and a different path later. Some are solidly on one side of the line or the other. So long as everyone respects everyone else’s decisions, there’s nothing wrong with any of it. It’s okay for people to achieve similar goals by different means. To say a trad-published author is a sell out or a self-published author wasn’t good enough to make it is ridiculous. No matter who bears the initial investment, the quality of the writing is what matters at the end of the day. Read books you like, no matter how they were published, and don’t read books you don’t like, no matter how they were published.

Let me know in the comments what your thoughts are! Did you learn something new about the history of publishing?

With that, I bid you all a good weekend. I’ll see you back next Friday at 3P.M. ET for the next segment of Nerdology 101. Until then, have a nerdy week!

Source List (This is a blog, not an academic paper. I’m just dropping the links so people can learn more, not making full citations).

https://guides.library.ubc.ca/historyofthebook/beforeprint

https://independentpublisher.com/article.php?page=1510

https://scarc.library.oregonstate.edu/omeka/exhibits/show/mcdonald/incunabula/gutenberg/

https://www.printingrevolution.eu/7

https://www.transatlantic-cultures.org/es/catalog/agents-litteraires