Nerdology 101: Interview w/ Eliwood S. Gheist from The Hook and Quill Press

Hey, hey! What’s up, nerds? I’m Maria Levato, self-proclaimed nerdologist and indie author, back once again to bring you another segment of Nerdology 101. Today, we have a very special segment featuring Eliwood S. Gheist (she/they) from The Hook and Quill Press, making this our very first interview. Before we dive in, I want to take a moment to thank her for joining me. It’s so exciting for me to have my first interview and I hope you all enjoy it.

Now, let gooo!

Maria: “What is your role at Hook and Quill?”

Eliwood: “I am the CEO, and primarily that means signing paperwork and running the social media accounts. We started this company as a co-op, and every member has put in an incredible amount of time and work to get us here.”

Maria: “Tell me about the formation of Hook and Quill? Your website mentions that it was born of a writing support group, what did the evolution from that to being an indie press look like?”

Eliwood: “Many of us met on Bluesky, particularly through the WIPSnips promptgame. Being all writers of similar mindsets, we tried making a Discord where we could support each other through the trials of all phases of writing; brainstorming, drafting, editing, querying. Our focus has always been on uplifting each other and encouragement, and I think that naturally helped us all start to feel more confident in ourselves and the future. We commiserated about the difficulties of getting published, and talked through the merits of tradpub versus selfpub. One of the main struggles of self publishing is having to handle every aspect alone; proofreading, book design, marketing. The joke became “what if we started our own publishing company?” And gradually, it just stopped being a joke, and became a hypothetical: “What would it actually take for us to be able to do that?””

Maria: “When producing books, what does the process look like internally? Does Hook and Quill function more like trad or self-publishing, or is the approach new altogether?”

Eliwood: “We are in the process of producing our first book, and while we have planned out the process as much as we could, there’s still more to learn with every step. The first step is to assign roles to members who volunteer for them; things like proofreading and formatting the manuscript. We develop a social media promotion campaign, and schedule goalposts for release. After proofreading and edits, we make sure we have cover art and formatting ready. We arrange an interview with the author in our newsletter, as well as potentially on our sister podcast, From Tree to Book Writing Group. And then we think about distribution! We try to go wide, and make sure we are available on as many platforms as possible. We are reliant on the selfpub model at this point, as we don’t really have any funding or ability to order large volumes of books (or any place to store them or any way to distribute), so we’re doing everything using as much as we can by ourselves, and rely on things like Print-on-Demand and word of mouth to get where we want to be.”

Maria: “How many member authors do you have and what have they written?”

Eliwood: “There are six authors, and our happy helper Kelsey Ann. Of the writers, there’s Lizzie Blackwood, Samantha Breaux, myself, T.D. Gonzalez, Emily Klotz, and Kara Moon. There’s more details about what each author is writing and has written on our website (https://hookandquillpress.com/writers/). If you enjoy fantasy, science fiction, horror, romance, queer love, or any kind of story that focuses on character and humor and heart, we’ve definitely got some great books coming out for you!”

Maria: “Are there any new works from members coming out soon?”

Eliwood: “We are releasing our first book Bludeye Beach on January 1st, 2026, and preorders have just opened up! Join Edie Grayson as she navigates family drama and romance, all while trying to figure out the eerie mystery at the heart of idyllic coastal town of Bludeye Beach.

“We’ve got a few other titles in line to be released throughout the year; keep an eye on Emily Klotz, Lizzie Blackwood, and Samantha Breaux! In addition, we’re going to be releasing quarterly Zines to feature shorter pieces from our writers, if you’re interested in a smaller sampling. These will be available for individual sale, and made available to any of our supporters on Patreon and Ko-Fi.”

Maria: “Are books written by members available widely? Where can readers find them?”

Eliwood: “We are planning a wide release, and would like to make our books available to as many people as we possibly can. The best place for more details will be our website and the HookandQuillPress Bluesky account. We also highly encourage people to request a copy through their local library when they are available. Part of our company mission is to support the writing community, and writers would not be where we are without libraries!”

Maria: “Is Hook and Quill currently accepting submissions? If not, do they have plans to accept new members in the future?”

Eliwood: “At this time, we are not accepting outside submissions or new members, primarily because there’s a lot that we’re still figuring out. But who knows what the future holds!”

Maria: “How can readers keep up with the happenings of the press?”

Eliwood: “We have a monthly newsletter that gets posted to our website, Patreon, and Ko-Fi; hookandquillpress.com, and HookandQuillPress everywhere else. If you track us down on one of our socials, I hope you’ll stop to say hi!”

Maria: “What are some of Hook and Quill’s goals for 2026?”

Eliwood: “We want to share the work from our writers with the world, but we also want to uphold our company goals; uplift the writing community and support indie artists.”

Maria: “Is there anything else about Hook and Quill or its members readers or writers may want to know?”

Eliwood: “We are so grateful to be doing this work, and we thank you all for the support we’ve been shown. Check out Bludeye Beach, releasing January 1st, 2026! Preorder your copy now!”

That concludes our interview with Hook and Quill. To support the press, be sure to buy their books, leave reviews, and engage with their content. For more content like this, engage with mine. I’ll see you back next week for the next segment of Nerdology 101. Until then, have a nerdy week!

Relevant Links:

https://www.instagram.com/hookandquillpress/

bsky.app/profile/hookandquillpress.com

hookandquillpress.com

https://www.patreon.com/cw/hookandquillpress?utm_source=search&vanity=hookandquillpress

Nerdology 101: Record of Ragnarok

***Light Spoiler Alert***

Hey, hey! Welcome back to Nerdology 101—the blog where we’re currently freakin TF out because it’s almost time for the new season of Record of Ragnarok! My name is Maria Levato and I’m your nerdy professor here to whip you into shape and keep you up-to-date on all the nerdy happenings. Now, be a good boy/girl, sit down, and enjoy the ride.

ROR quickly made my list of favs back in 2021 when it made it’s anime release (haven’t read the manga at all). Being outside of my normal tastes, I was hesitant to start it back then because I’m normally a romance lover, even other none romance anime that I watch usually feature some romantic elements. ROR, though, is quite different from that. It’s bloody and brutal to the core, but the characters are hot AF and I read dark romance anyway, so why not?

Now, in S3 we’re getting a bad ass line-up. In an article by Fandom Wire, it was revealed that we should expect to see Hades v. Qin Shi Huang, Beelzebub v. Nikola Tesla, and Apollo v. King Leonidas. Out of these, I’m personally looking forward to Hades the most (I’m team gods all the way). ROR has a way of making its most beautiful characters the most ruthless too and I think that means we’re in for a wild fight here. I mean, it’s Hades. It’d be hard to make his character anything less than the absolute wonder that he’s always been. I actually had to look up his opponent, though. I’m not well-versed in Chinese history, but he’s the first emperor of China and founded the Qin dynasty. He also coined the term Emperor in China. You can learn more about him here, if you’re interested, but he built the Great Wall and established the Terracotta Warriors—making him a substantial figure in Chinese history and a human figure who can actually match the legend that is Hades in terms of influence over the respective culture.

The other fights won’t be anything to sneeze at either, though. I think Beelzebub v. Nikola Tesla is an interesting match up. If it weren’t for my personal bias toward Hades, this would be the most interesting match up this season. I feel like this is the most unpredictable of the fights. I can’t even begin to imagine how it goes down. It’ll be great to see what direction they take it in.

As for the last match, Apollo is an interesting choice on the gods front. In Greek mythology, he has a ton of domains, though he’s best known for music and healing, but the one I think the creators might be thinking of is one that’s not so commonly discussed. Apollo is also a god of plagues and disease, as you can see here. I’m almost imagining him showing up in the arena looking all sweet and innocent then using some sort of dark plague magic. It'd be cool to see him depicted that way since other depictions of him usually don’t highlight that aspect of him. I hope they do this.

What are your thoughts and expectations for the season? Do you imagine Apollo’s fight the way I did? Is there one you’re most excited for? Let me know in the comments and I’ll see you back next Friday at 3PM ET for the next segment of Nerdology 101.

Nerdology 101: Ties Between Mythology and History

Hellooo! Welcome to Nerdology 101, the blog where I explore your favorite nerdy topics and you read it because you, like me, are the nerdiest of nerds. My name is Maria Levato, your host, and today, your guide to all things mythical (or at least all things mythical that helped shape the world as we know it).

This weeks topic is the ties between mythology and history. With books like Scarlett St. Clair’s Hades x Persephone series and Abigail Owens’ The Games Gods play, even with anime like Record of Ragnarok, we often see mythology featured in pop culture, but seldom do we stop to remember that mythologies are just religions that most people no longer have faith in. Once, they had power and influence over humans—impacting the decisions leaders made and shaping the history we now learn about. I wanted to take the time in this blog post to explore aspects of history that were impacted by the beliefs of the culture and time. So, lets get into some Nerdology!

Japan

I love Shinto because of how much it influenced (and still continues to influence) Japanese culture. It’s perhaps one of the strongest examples of this phenomena. We see in most religions that at some point, people who believe in it believed they should be governed by a religious leader. This is true in the Pope and European monarchs, but also in other parts of the world, and other times, like Japan. There’s a key difference, though, in Japan, the Emperor has historically been viewed as descendant of Amaterasu’s lineage. For those who don’t know, Amaterasu is the Shinto sun goddess and the chief diety of the pantheon. Today, Japan is primarily ruled by a parliament rather than actively ruled by a monarch, but that wasn’t always the case. Emperess Suiko, the first recorded Empress regnant of Japan, was a ruling monarch (not the only ruling monarch in their history, just one).

Empress Suiko ruled at an interesting time in Japan’s history. It was a time when Buddhism was becoming more popular in Japan. The Empress did something interesting for someone who was descended from a Shinto diety, though: She supported the rise of the new religion, holding the balance between Shintoism and Buddhism. That decision impacted the relationship between Shinto and Buddhism, as we see it today, even though she made that decision between the years 593 and 628. It also laid the foundations for factions like the Sohei to gain traction and become favored by the Shogunate in the 700’s. We see these events later snowball into a series of other events that ultimately ended up influencing a substantial portion of Japanese history. Therefore, we have to believe that without the call for balance that Emperess Suiko made because it was a tenant shared by both Shintoism and Buddhism that Japan may not exist in the way that we recognize it today because so many events that shaped it were impacted by these beliefs.

While most of the world refers to Shintoism as a mythology, aspects of it are very much alive and well in Japan, meaning that it is in many ways still an active religion that co-exists in Japan alongside Buddhism, Christianity, and other religions. Even those who identify with another religious practice often still intergrate Shintoism into their lives. An author and creator by the name of Kyota Ko (IG: @themetroclassic) explores a lot about the history, mythology, and culture of Japan in his work. If you’re interested in learning more about this topic, please visit his website. Kyota Ko has given his permission to be brought up in reference to this blog post. He’s a great source on the topic and I think anyone interested in it would really enjoy his content.

Egypt

Ancient Egypt is another fascinating example of the ways mythology influenced history because the beliefs of the time are a key factor in so much of what we know about the history of Egypt. The hieroglyphics, burials, politics, and culture were centered around Egyptian mythology for so much of Egyptian history. There’s no doubt that at the height of its beliefs, Egyptian mythology impacted Egypt as a whole, which, in turn, influenced the world. It would be easy to draw the same parallel I did with Japan between the pharaohs and the religion since the pharaohs were also believed to be descendants of Ra just as the emperors are with Amaterasu, but there’s another aspect I’d like to focus on here—one I think would be hard to ignore when it comes to Egypt—its influence on European beliefs and history. I choose this because I think it’s important to acknowledge just how wide the impact is in this aspect. Most religions influence their country and culture of origin, but Egypt’s reach stretched across continents, influencing the ways of cultures beyond its own.

Aset, an Egyptian goddess, was the origin of the goddess the Greeks called Isis, as explained here, in a listing from the Egyptian Museum. As you can see here, in an article out of the University of Oregon, that influence touched Roman beliefs as well. Sources from Cornell, Princeton, and other researching entities are provided there too. So, it can be concluded that Egyptian mythology definitively influenced some European mythologies which influenced the shaping of the histories of those cultures, which I’ll explore further in the Greek section below.

Greece

Referencing this article from the North London Collegiate School, we can learn how Greek Mythology influenced literature in works that are still renowned in the modern age. Those works reached Rome and influenced their culture and social norms as well as they did Greece’s. We also see where it impacted the stories told in Christianity. That impact on Christianity is explored in this article out of Columbia University where we see that the Virgin Mary in Christian beliefs evolved from Isis in Greek beliefs, which as we covered previously, stemmed from Aset in Egyptian beliefs. This fascinating web of evolutions of one goddess between cultures eventually met rise of Christianity in Europe, which led to the Catholic Church having so much power, and therefore is the origin of most of the events that took place during the European middle ages where Christianity then decided who became kings and queens, which wars were holy and which were not, and ultimately became the foundation for the entirety of western civilization. To this day, the Virgin Mary remains a prominent and influential figure in the world, impacting not just history already made, but history still in the making. Seeing that, it’s not so far-fetched to say that mythology is history in many ways, given its influence over the way civilization has been shaped in culutres from around the world.

Please, add to all of this in the comments. I’d love it if you all shared more stories of how mythology impacted history in other areas of the world! I’ll see you next week on Friday at 3PM ET for another segment of Nerdology 101. Until then, have a nerdy week!

Nerdology 101: Working with a Character Designer as an Indie Author

Hello, and welcome back to Nerdology 101, the blog where I explore all things nerdy and you read it because you’re a good little nerd just like me. That’s right. Good nerd, you keep reading this blog like the little cutie you are. LOL. #PraiseKink - Nerdy Edition. I’m your weekly blogger, Maria Levato, a proud fellow nerd and indie author. Let’s get started!

This week, we’ll be talking about character design! I chose this topic because I’ve been seeing a lot of discourse around it—particularly from other indie authors who keep getting ghosted by people they hire. It’s no good, so I figured I’d do a deep dive and talk about my experieces with it. Hopefully, this helps someone weed out the AI slop and false artists to find that ever-elusive perfect match. At the end, I’ll also name a few character artists I know to be legit.

What are your experiences working with character artists?

I’ve worked with two of them. The first was in 2023. I hired this one off of Fivver. He did great work, designing art for my whole original cast in The Islands of Rune universe. The price was affordable at $75/piece for 6 characters, full body, single pose, no backgrounds. I loved the pieces and it was a great time. Unfortunately, though, we eventually went our separate ways. It’s worth noting, though, that AI wasn’t as much of an issue on the platform a few years ago as it is now. I cannot speak to what searching would be like on there today. If you have worked with someone on Fivver or a similar platform recently, please share that experience in the comments to elaborate on this. However, for the time being, I will say that my experience hiring someone off of the platform was positive and that, if nothing has changed that makes it more complicated, I would recommend using it.

The second time I worked with a character artist is right now. A few weeks ago, I put a call out on Threads asking artists to drop their work in the comments. As you can imagine, a mass of them flocked to the post and I was left with the task of sorting through it all. It was a wild ride, but a good idea. It boosted my engagement and profile signifcantly while also offering an opportunity to people that allowed them to display their work. There were a ton of great submissions, but ultimately, I found my artist. As of now, I’ve commission two pieces from them (one NSFW and one SFW). These two are slightly more expensive than the original two, but this time I also wanted full, exclusive rights to the work and for the pieces to reflect scenes from the book they’re associated with—meaning there we’re backgrounds and more than one character in the images which makes it more complex. Given that, the additional cost makes plenty of sense and is still great for what I’m getting. I paid 50% of the price upfront via PayPal—this is where it goes wrong for a lot of authors—but I wasn’t ghosted! Ever since, I’ve recieved a few updates per week from the designer—which is a huge help in making sure they aren’t using AI—and communication has been consistent. This is mostly the experience we’re going to be talking about for the rest of this post because there’s a lot to learn. We’ll discuss: How I made sure I wouldn’t get ghosted, how I checked for AI on the original post, and a few other key topics that may help someone hiring a character designer for the first time—especially if, like me, they’re still learning how to spot the less obvious AI.

1. Does follower count matter?

   Sometimes, but it’s not an end all be all way of making a judgement about whether you’re dealing with a bot or not. While this can indicate that the profile is bot-run, I’d call it a yellow flag because there are a lot of other things that this could mean. For example, since Meta and TikTok favor white, western, eurocentric content, sometimes someone who doesn’t speak perfect English or has a style that doesn’t fit into that narrow box can struggle to gain a following. Also, there’s new people. Maybe the artist just opened their commissions for the first time or just started pursuing it as an income stream. There’s also the possibility that they’ve been doing this for a while, but haven’t found quite the right combination of hashtags that work for them. Social media is hard. Trust me, I will struggle with it because I’m video shy (I start stuttering and get anxious every time I try to record one). For someone who doesn’t post reels, growing a following is a slow process. So, make sure that you aren’t knocking a perfectly valid artist because of something that isn’t necessarily indicitive of their humanity or talent.

2. Okay, then how do I find the bots?

That’s a layered process. First, give instruction. Tell people to drop their work in the comments. Those who DM you anyway are either bots or people who don’t listen well. You don’t want either because even if they are real, an artist needs to be able to follow the specifications provided in the commission. It’s the same reason those of us who are pusuing trad publishing have to follow the guidelines provided by lit agents/agencies when querying. So, this step will weed out some of the bots, but also some of the people who exhibit signs that they might not be suited for your commission. Next, watch language. One thing I continuously saw that registered as a red flag for me is this one phrase that came up in multiple submissions: “I look forward to your positive reply.” It’s not all that often that I hear a human say something like that, so to see it in multiple subs put me off. Most of people understand that’s manipulative and shifts unfair pressure onto the commissioner to hire. It’s especially weird for an artist to say because it makes the assumption that they’re getting a commission over every other interested party and most true artists respect the work of other artists. Thus, I see that as either a bot or a narcissist, so again, it’ll weed out more bots and people with undesirable traits that might make them hard to work with. Once you narrow it down, DM 3-5 artists. TALK TO THEM. Ask questions. Discuss rates. Talk about the commission. Anything. It won’t take too long for you to notice if the conversation feels manufactured, as if you’re speaking to a bot. This functions as a vibe check and a bot check.

3. And what about the people who are actually people, but are using AI?

Spotting AI is becoming increasingly difficult as the technology continues to invade creative industries, but there are still things you can do to spot it. Lines are a big one. Humans have distinguishable lines around their drawings. Think of a coloring book. Each object in the photo has a clear outline even after its colored in. If we removed that, the picture wouldn’t look quite right to us. AI usually doesn’t have these lines. That’s one way you can spot it. Of course, there’s ways slop generators get around that too. It’s easy to do, especially if they do AI-assisted art. This is where AI checkers come in. There’s more than a few sites that offer this service free. My advice: Use more than one. Some are good at catching certain things, others excel at catching other things. It’s always good to have more than one source. Another helpful tip is that AI is no good at mimicing extremely unique styles. What it generates typically fits into a more generic version of what its prompted to create. If an artist has a style you don’t see all the time, they probably didn’t use AI to make it.

4. That’s good to know, but now, how do I protect myself from people who are just out to scam me?

As with everything, written agreements are the best way to protect yourself. I used Jotform to create mine. Set it so the form is private and only those you send invites via email can access it. Add signature fields and a recaptcha—and if you’re really suspicious, add a second check in the way of a “Select all that apply” question to be extra sure the bots don't get in. Define your terms clearly. Define what the total payment is, what the deposit is, when it will be paid, and when other payments will be made based on your discussion with the artist. Make sure you state clearly that the artist must work within the specifications, not use AI in any capacity, not be affiliated with anything that would have affected your decision to hire them, etc. Make sure it’s clear that violation of terms will void the contract, that they’ll owe you a refund, that any legal recourse available will be pursued, etc. You should also address rights to the work in there. There’s levels to them. For most authors, you either want commercial use or full, exclusive use. Commercial is fine for most authors and will allow you to sell, but it leaves the artist the right to reuse designs made for your characters as long as they aren’t selling them. This isn’t an issue most of the time, one rarely interferes with the other, but in my case, I particularly wanted the designs to be synomous with my book. That comes with an upcharge and most artists don’t default to it. I was lucky to be in the position to pay it when I hired this time. Don’t stress too much if you aren’t, just be sure you know what your liscence includes.

Name your obligations as well. Write it all out. Then, even if you get ghosted, the payment platform will be inclined to reimburst you—or your bank will via a dispute if the platform refuses. Most payment platforms will do it without this, but on the off chance you run into an issue, this is good to have because it acts as evidence that you are owed the refund. The character artist I ended up hiring had no issue signing the agreement and I doubt many legitimate ones would, so long as the agreement is fair and reflects both sides because then, it protects them too. This is a perfect final line of defense. By this point, you’ve weeded out bots, jerks, and most problematic people. The artist you’ve chosen is a vibe match and you get along. You can see yourself working with them and you’re confident in them. This agreement is just there because sometimes even the best of us can make an error in judgement and something slips past us. It never hurts to have something in place just in case. The right artist won’t be insulted by this. If they are, most of the time that’s a them problem. Unless they provide some type of legitimate complaint or are suggesting a reasonable ammendment, don’t fall for the “Oh, you should just trust me.” Real artists are well aware of the struggles indies face when it comes to this and are glad to see that more of us are learning to protect ourselves.

5. I finally have my character artist. Now what?

Congratulations! You made it to the part of the process that’s actually enjoyable. Now, you get started. If you haven’t already sent it to help the artist quote you accurately (some will want you to, others have standard rates), send the artist a document addressing the specifications for your project(s). Go into full detail about what your characters look like, what size you need the images to be, if you want them in scene and if so, what that scene looks like, reference photos, etc. For reference on how much information you should include, my document was 6 pages long for 2 characters, 2 scenes, and there were still holes I had to find reference photos for after the fact because I hadn’t thought of it (positioning for the NSFW scene. Lol. We spent a whole morning exchanging hentai pics to get it right). After that, if you defined a communication frequency with your artist agreement, which I did, you should hear from them with about that frequency unless they have questions. They should send you progress updates so you can see the work as it progresses, reassuring you that its not AI, but also giving you the opportunity to give additional feedback and let them know your thoughts along the way. Feel free to ask questions. Unless you draw too, it’s normal to have things you don’t know or need to ask in order to make sure the art is coming out as you want it to. Enjoy the process, it’s rewarding and is a huge part of bringing your imagination to life. Hopefully, if all goes well, you can return to this artist for future projects and continue to work together.

6. Artists I Feel Comfortable Recommending?

This is the one I’m working with now. As you can tell, I’m enjoying working with them and have zero complaints.

https://www.instagram.com/sincerrio/

This artists was one of my top choices. While I didn’t end up hiring her, she does amazing work and has worked with plenty of other authors, including some very prolific ones.

https://www.instagram.com/whet.paint/

This artist was also one of my top choices. Again, he wasn’t my final, but his work is still awesome and works he’s done for other authors are included in his portfolio.

https://www.instagram.com/officialichigo7/

So far as I know, all of these artists are accepting commissions at this time.

I hope you enjoyed this weeks Nerdology 101 segment. Make sure you let me know in the comments. Share your experiences, ask more questions, recommend topics for future posts, etc. I’ll see you back next Friday at 3PM ET for the next one. As always, have a nerdy week!